LINCOLN SELIGMAN Ltd , Design & Consultancy

Hanging sculptures in glass fibre. "Leaping Fish" for East Hotel. Swires, Hong Kong 2010.'

Prudential Building, Holborn, London EC1 Two atriums, each with a three piece hanging sculpture; each piece 5 metres long but weighing only 12 kilos. Movement is created randomly by convection currents. 1999

Sing Pao Building, Queen's Road, Central Hong Kong

5 piece suspended steel sculpture for the atrium of MS "Voyager of the Seas". Each piece is 6 metres long.

Harlow, Essex. A series of three paintings and an “apple peel” mobile for the central Pharm Tech atrium. The art is located at a key site at the intersection of the main thoroughfares in the building, where the mobiles rises up through two stories to the roof of the atrium. The work is a hanging apple peel in copper, accompanied by three giant paintings. The apple has the dual symbolism of perfect health and perfect packaging. March 1998

INVESTEC Bank Gresham Street London EC2. The structure is 80ft high by 20 ft wide. The mural was designed and produced at the artist’s studio. The photographs below show the artist first erecting the mural using scaffolding, and then carrying out the final touch up from a cradle suspended from the roof. This was no ordinary easel. Completed March 2000

Hanging sculptures for three atriums at Cathay Pacific Airways, HQ. Cx City, Hong Kong International Airport. The work is titled “Deconstructed DNA”. November 99

Hong Kong Atrium. Concept 2003

New Suspended Sculpture "Intervention" above the entrance of the recently opened Treatment Centre Chelsea and Westminster Hospital. 6m x 2.5m 5 pieces in dacron and steel. With generous support from: Christies Charitable Trust Lazard Charitable Trust

15 piece suspended sculpture in glass and steel: "Fish and Reeds". 2001

Commissioned for the Westin by LEOFOO Corporation. The work depicts fish swimming up a waterfall. There are six “fish” pieces and twelve “water” pieces, each 5 metres long. The eighteen pieces were hung from the roof 200 feet above the ground using abseiling techniques. The work relied numerically on the significance of “six” in Chinese mythology concerning happiness. 2000

Lincoln Seligman’s giant ‘Brushstrokes’ mobile hangs in the atrium of Stanhope’s new development at 100 New Bridge Street, Ludgate, London EC4. The three floating primary-coloured brushstrokes, each seventeen feet long, are echoed in paint on the wall. In this way the hundred foot high atrium has both its inner spaces and surfaces ‘painted’. In the completed work the synchronisation of the moving and stationary colours then occours from time to time in random sequence. 1995